The Tattooed Poets Project: A Wrap-Up

April, they say, is the cruelest month. It also seemed, for personal and professional reasons, to be the longest month. And, as many may have noticed, we ran a little over and into May.

This concludes the second annual installment of the Tattooed Poets Project. The endeavor seems to have attracted more fans this year, and I am thankful for that.

But I do need to extend thanks to all thirty-three poets who participated this year, and tolerated my incessant badgering for photos, poems, and details.

And to the dozens (and I do mean dozens) of poets across the country and overseas to whom I sent emails asking for either tattoos or news of poets the knew with tattoos, I thank you for humoring me and the project.

The person who receives what I call the Muldoon Award is G.C. Waldrep. Last year, the Pulitzer Prize winning poet Paul Muldoon declined to participate saying "Alas, I've done the uninkable." The best response this year from an uninked poet was Mr. Waldrep's:

"What an interesting idea. But no, I remain untattooed. Except by the ravages of love and pain."

Thanks especially to Stacey Harwood at the Best American Poetry Blog who, from the outset, has been a champion and promoter of the Tattooed Poets Project. Theresa Edwards, of Holly Rose Review, not only contributed, but sent several people my way. Dorianne Laux also spreads the word like no one else and this year and Adam Deutsch not only was a return participant, he helped quite a few readers and participants discover our little inked poetry endeavor.

And I would be remiss if I didn't thank my lovely wife Melanie, who supports me and all things Tattoosday, even though it doesn't pay the bills. She recognizes how much I love to write about tattoos, and without her by my side, I wouldn't have had the strength and wherewithal to have made Tattoosday the blog it is today.

Those of you who have come to Tattoosday to see inked poets, I invite you to still visit, there's a dozen posts in the works documenting Tattoosday in Hawai'i, and then a long summer after that.

Before you know it, the Tattooed Poets Project 2011 will be upon us!

The Tattooed Poets Project: Jeanann Verlee

Here on the final day of the 2010 Tattooed Poets Project, we are featuring two tattooed poets (in two separate posts).

First up is Jeanann Verlee, who holds the distinction of being the one poet this year who met with me in person to discuss their tattoo.

Jeanann offered up her upper left arm:


The incredible detail of this piece is in the hummingbirds:



This whole tattoo is based on the cover art from her just-released first book Racing Hummingbirds (Write Bloody Press, 2010).


Jeanann knew she wanted her next tattoo to have something to do with the upcoming book. When she had the opportunity to work with an artist she respected, Tyson Schroeder, Jeanann held off on getting new ink and waited to see his art for the cover. She was happy she waited and, loving what she saw, she took the design Tyson created to her tattoo artist, Mark Harada at East Side Ink.

The racing hummingbirds design was placed adjacent to one of Jeanann's approximately fifteen other tattoos. The piece already on her arm consisted of a symbol comprised of Celtic and Nordic runes, and calla lilies, which represent transformation.

It was truly a pleasure meeting Jeanann at Grand Central Station and talking with her about her tattoos and her poetry. One of her poems, dedicated to poet Eboni Hogan, can be seen here over on BillyBlog. Eboni's tattoo (here) follows this post, and her poem is dedicated to Jeanann.

Thanks to Jeanann for taking the time to meet with me, sharing her tattoo, and rounding up an exciting 2010 Tattooed Poets Project!

*****

JEANANN VERLEE is a former punk rocker who collects tattoos and winks at boys. She is author of Racing Hummingbirds (Write Bloody Press, 2010) and her work has appeared in a number of journals and anthologies, including The New York Quarterly, PANK, FRiGG, Danse Macabre, and Not A Muse, among others. An acclaimed performance poet who co-curates the weekly reading series Urbana Poetry Slam at the Bowery Poetry Club, Verlee has performed and facilitated workshops across North America. She was co-author and performing member of national touring company The Vortex: Conflict, Power, and Choice!, charter member of the annual Spoken Word Almanac Project, and is an ardent animal rights and humanitarian activist. She lives in New York City with her best pal (a rescue pup named Callisto) and a pair of origami lovebirds. She believes in you. Learn more at JEANANNVERLEE.com.

Amanda's Right Biceps

I met Amanda outside of Madison Square Garden in April and she graciously allowed me to pick from one of her estimated fourteen to fifteen tattoos.

I chose this piece on her inner right biceps:


This is part of a greater plan for her arm which has a "cowboys and Indians" theme.

This design, which fits the traditional "old school" style of tattoo, was inked by Christian Peters of The Devil's Rose Tattoo in Long Island. Work from Devil's Rose appeared previously here on Tattoosday.

Thanks to Amanda for sharing this old-school tattoo with us here on Tattoosday!

The Tattooed Poets Project: Cody Todd

We are extending the Tattooed Poets Project through the weekend, giving those who have been enjoying the poetic ink, a little bit more to tide them over until next year.

Today we are being visited by an old friend, Cody Todd, whose tattoos appeared here last year.

This is his latest tattoo, four weeks old, inked at Purple Panther Tattoos off of Sunset in Los Angeles:


Cody provided this explanation:

Not too much of a story behind this. It is Marv and Goldie from the "The Hard Goodbye" of Frank Miller's Sin City. The artist who did this is from Tokyo, and her name is Koko Ainai. I admire the precision of her work in copying Miller's extremely elaborate sketching. As Marv and Goldie embrace, he is holding a gun he apparently took away from her and a bullet hole is smoldering in his right shoulder as he lifts her off the ground. That tattoo is the first of what is going to be a kind of sleeve in parts in which I take different scenes from noir films or works and decorate my whole left arm with. Upon seeing Farewell My Lovely with my girlfriend last week, I decided to get the front end of a 1934 or 1936 Buick as my next tattoo.

...I am doing my critical work for my PhD at USC on the "western noir," which is a term I sort of coined for a specific genre of film and literature concerned with elements that typically comprise classical film noir, except they take place in cities in the western part of the United States. As we see in the film, Sin City, it has a "Gothic City" feel to it, but it is most certainly somewhere out in western Nevada, or California. I think the motifs of lawlessness, street and vigilante justice, and the disillusionment with the American Dream are all at work in this kind of genre, and that it also borrows many elements from the Western as a genre as well. If anyone wants to read good literary western noir, I would direct them, promptly, to read Daniel Woodrell, who takes the noir theme and brings it to the Ozarks and southwest Missouri. If Chandler and Faulkner had a love-child, it most certainly would be Woodrell.

Head over to BillyBlog and read one of Cody's poems here.

Cody Todd is the author of the chapbook, To Frankenstein, My Father (2007, Proem Press). His poems have appeared in Hunger Mountain, Salt Hill and are forthcoming in Lake Effect, The Pinch, Specs Journal and Denver Quarterly. He received an MFA from Western Michigan University and is currently a Virginia Middleton Fellow in the PhD program in English-Literature/Creative Writing at the University of Southern California. He is the Managing Editor and co-creator of the poetry journal, The Offending Adam (www.theoffendingadam.com).